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# Southern Literary Figure Hated Confederate Statues
- URL: https://thedailyeudemon.com/53624/
- Published: 2020-02-14T22:20:00.000Z
- Updated: 2023-03-07T22:30:58.000Z
- Author: Eric Scheske
- Tags: Will Percy, Briefly, Walker Percy, #wpChunk

### Will Percy (Walker's cousin and guardian) was no fan of the Confederate monuments, saying they're so pathetic, they don't even qualify to be ridiculous:

> \[Y\]ou will find in any Southern town a statue in memory of the Confederate dead, erected by the Daughters of something or other, and made, the townsfolk will respectfully tell you, in Italy. It is always the same: a sort of shaft or truncated obelisk, after the manner of the Washington Monument, on top of which stands a little man with a big hat holding a gun. If you are a Southerner you will not feel inclined to laugh at these efforts, so lacking in either beauty or character, to preserve the memory of their gallant and ill-advised forebears. I think the dash, endurance, and devotion of the Confederate soldier have not been greatly exaggerated in song and story: they do not deserve these chromos in stone. Sentiment driveling into sentimentality, poverty, and, I fear, lack of taste are responsible for them, but they are the only monuments which are dreadful from the point of view of Ã¦sthetics, craftsmanship, and conception that escape being ridiculous. They're too pathetic for that.

### [*Lanterns on the Levee: Recollections of a Planter's Son*](https://amzn.to/2Nv8NME?ref=thedailyeudemon.com)(1941). By William Alexander Percy. 348 pp. New York: Alfred A. Knopf. $3.

### Will Percy was not a BLM advocate, much less an Antifa subversive. He was “the embodiment of Southern culture, 'defender of traditions, poet, gracious host.'” [Molly Finn, *First Things*, May 1993](https://www.firstthings.com/article/1993/05/004-the-homesick-homeless?ref=thedailyeudemon.com).

### But aesthetics are aesthetics, and he wasn't seein' it.

### And since he was apparently gay, we kind of have to defer to him on such matters.

### (That citation above, btw (not blm), is a paste from a 1941 NYT review of the book.)